ISLAMABAD: Gallery 6 celebrated its landmark 125th exhibition on Saturday. Since its humble beginnings in sector G-9 in 2008, Gallery 6 has grown into a vibrant space for artistic expression, becoming a beacon for art lovers. The 125th show was inaugurated by former ambassador Maleeha Lodhi, an art enthusiast and collector, and featured works by 40 of Pakistan’s leading artists across 10 distinct genres, showcasing a diversity of styles and themes. The exhibition highlights the breadth and depth of Pakistani art, with figurative painting taking centre stage. As many as 14 artists delve into themes ranging from mysticism to urban relationships. Abbas Kamanger’s portrayal of Sufi dances and Abrar Ahmed’s celebration of eastern femininity stand alongside Akram Dost’s tribute to the resilience of Baloch men. Moeen Faruqi’s exploration of urban alienation and Sana Arjumand’s reflection on the sacred bond between femininity and nature add layers of emotional and conceptual depth. The landscape section captures Pakistan’s natural beauty, with Ghulam Mustafa, Muhees Riaz and others presenting stunning depictions of the country’s diverse terrain. Ayaz Jokhio’s contemporary lens contrasts these idyllic scenes with the environmental challenges of modern society. Gallery 6 also shines a spotlight on contemporary miniature painting, where artists like Ahmed Javed and Irfan Hasan re-imagine traditional techniques with modern narratives. Javed’s works reflect his environment, while Hasan blends Mughal miniature styles with the essence of old masters. The contemporary section features thought-provoking pieces that challenge conventions. Curator Dr Arjumand Faisel’s Piscean-themed painting examines dualities while Mohammad Zeeshan’s bold commentary critiques humanity’s consumption of authenticity. Other notable contributions include Aqeel Solangi’s tributes to literary heritage and Mohsin Sheikh’s nostalgic reflections on childhood. The still life genre was elevated through Mona Naqsh’s exquisite floral works and Jamil Baloch’s vibrant, non-representational pieces. In the realm of prints, Nurayah Sheikh Nabi explored the interplay of womanhood and nature, while Shahida Mansoor showcased mastery in Japanese Mokuhanga techniques. Drawings by Asim Akhtar and A.S. Rind tackled poignant social themes, addressing tyranny and inequality. Sculptures and reliefs added a dynamic, three-dimensional element, with Imran Hunzai’s monumental wire bird and Abdul Jabbar Gul’s Confucian-inspired relief captivating audience. Calligraphy paid homage to tradition, with Dabir Ahmed and Shiblee Munir celebrating the sacred art of text. Their works echoed the legacies of Seshat and Thoth, ancient symbols of wisdom. Reflecting on the milestone, curator Dr Faisel said: “This celebration is a testament to our mission of promoting Pakistani art locally and internationally. We extend heartfelt gratitude to artists, patrons, and supporters who have been integral to this journey. We invite all art enthusiasts to experience this exceptional collection.” The organisers said that the 125th show stood as a proud milestone, celebrating the creativity, resilience and mastery of Pakistan’s finest artists while reinforcing Gallery 6’s role as a cornerstone of the country’s art scene.